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Raban Ruddigkeit, who has been curating this category for many years, has invited illustrators from Switzerland to do so. For the first time, the default was a single font name for everyone—Helvetica. The font names were visualized by the invited illustrators according to their ideas in an illustration.
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The fact that it is not easy to navigate through the book if not read cover to cover, might be seen as an illustration of how the male-bias operates. A lot of issues reappear throughout the chapters and different case-studies, making it clear how data gaps relate to one another, overlap, and facilitate each other, forcing possible cause-effect-chains to unmask themselves as a vicious cycle.
The ideas drawn first try to discover how the relationship between the drawings behaves rather than the pure visual characteristics. It forms a basis for this. In the words of Cantley, “the information from the drawing provides an additional illustration of the current situation.” Cantley explains this with the concepts of Artefact and.